Spatial Utilization Pattern for Sasirangan Craftsmen's House in Sasirangan Village, Banjarmasin

Aula Sekar Arum Pertiwi; Damayanti Asikin; Lisa Dwi Wulandari; Khairunnisak Khairunnisak; Rafika Hilmi Nasution; I Gede Wyana Lokantara; Zhilli Izzadati Khairuni; Siti Zulfa Yuzni

doi:10.14710/ijpd.10.2.76-84

DOI: https://doi.org/10.14710/ijpd.10.2.76-84

Spatial Utilization Pattern for Sasirangan Craftsmen's House in Sasirangan Village, Banjarmasin

*Aula Sekar Arum Pertiwi - Medan State University, Medan, Indonesia, Indonesia

Damayanti Asikin - Brawijaya University, Malang, Indonesia, Indonesia

Lisa Dwi Wulandari - Brawijaya University, Malang, Indonesia, Indonesia

Khairunnisak Khairunnisak - Medan State University, Medan, Indonesia, Indonesia

Rafika Hilmi Nasution - Medan State University, Medan, Indonesia, Indonesia

I Gede Wyana Lokantara - Medan State University, Medan, Indonesia, Indonesia

Zhilli Izzadati Khairuni - Medan State University, Medan, Indonesia, Indonesia

Siti Zulfa Yuzni - Medan State University, Medan, Indonesia, Indonesia

Received: 22 Oct 2023; Published: 30 Jan 2026.

Editor(s): Prihadi Nugroho

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

BibTex Citation Data :

@article{IJPD20359,
    author = {Aula Sekar Arum Pertiwi and Damayanti Asikin and Lisa Dwi Wulandari and Khairunnisak Khairunnisak and Rafika Hilmi Nasution and I Gede Wyana Lokantara and Zhilli Izzadati Khairuni and Siti Zulfa Yuzni},
    title = {Spatial Utilization Pattern for Sasirangan Craftsmen's House in Sasirangan Village, Banjarmasin},
    journal = {The Indonesian Journal of Planning and Development},
  volume = {10},
    number = {2},
    year = {2026},
    keywords = {Banjarmasin; Craftsmen’s Houses; Sasirangan Cloth; Space Utilization Patterns},
    abstract = { The Seberang Masjid region is one of the last places that still looks like Banjar Village, and it has a unique art called sasirangan cloth. The government and the corporate sector changed the name of the region to Kampung Sasirangan in 2010 to make local knowledge more valuable. This development affects the change in the role of homes, which are now used for more than just living in. They are now used for business and manufacturing. The several steps in making sasirangan cloth affect how craftspeople act, which in turn affects how the company house uses space. This study seeks to identify and analyse the spatial utilization patterns in the residences of sasirangan textile craftspeople in Kampung Sasirangan, Banjarmasin. The research methodology employed is a case study utilizing a qualitative approach, incorporating field observation, in-depth interviews, and documentation. The results show that there are 17 craftsmen's houses on the land, along the riverbanks, and above the river. There are two primary ways that space is used: one building mass and two building masses. Craftsmen do not have a separate place to work; instead, they make the most of the space they already have by changing it to fit the stage of production. Craftsmen who have more complicated production stages use space in a wider range of ways. },
   issn = {2442-983X},   pages = {76--84}  doi = {10.14710/ijpd.10.2.76-84},
    url = {https://ejournal2.undip.ac.id/index.php/ijpd/article/view/20359}
}

Citation Format:

Abstract

The Seberang Masjid region is one of the last places that still looks like Banjar Village, and it has a unique art called sasirangan cloth. The government and the corporate sector changed the name of the region to Kampung Sasirangan in 2010 to make local knowledge more valuable. This development affects the change in the role of homes, which are now used for more than just living in. They are now used for business and manufacturing. The several steps in making sasirangan cloth affect how craftspeople act, which in turn affects how the company house uses space. This study seeks to identify and analyse the spatial utilization patterns in the residences of sasirangan textile craftspeople in Kampung Sasirangan, Banjarmasin. The research methodology employed is a case study utilizing a qualitative approach, incorporating field observation, in-depth interviews, and documentation. The results show that there are 17 craftsmen's houses on the land, along the riverbanks, and above the river. There are two primary ways that space is used: one building mass and two building masses. Craftsmen do not have a separate place to work; instead, they make the most of the space they already have by changing it to fit the stage of production. Craftsmen who have more complicated production stages use space in a wider range of ways.

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Keywords: Banjarmasin; Craftsmen’s Houses; Sasirangan Cloth; Space Utilization Patterns

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In Vol 10, No 2 (2025): October 2025

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