skip to main content

Exhibiting Material Localities Through Embodied Sensorial Performance

1Universitas Indonesia, Indonesia

2Universitas Diponegoro, Indonesia

Open Access Copyright 2024 Journal of Architectural Design and Urbanism under http://creativecommons.org/licenses/by-sa/4.0.

Citation Format:
Abstract
This study investigates the embodied sensorial performance in material exhibition design as a way to enhance visitors’ experience about local cultures. Exhibitions and installations designed in museum or gallery context often incorporate a sensorial approach to increase engagement and to cater specific needs of society. This study takes particular interest in expanding such discussion, highlighting how a sensorial approach can be used in a more active way to experience localities, particularly in relation with food material.The study explores such sensorial aspects through reflecting towards an exhibition event conducted by the Indonesian Architect Association Central Java titled Rumarasa, an exhibition that explores the sensorial narrative of Indonesian spices. The exhibition consists of three particular stages that activate the overall senses that construct the experience of spices in Indonesia. The first stage consists of the visual stages of the spices, displaying the form and origin of spices in an interactive way. The next stage requires the visitors to touch the spices, inviting the visitors to experience the spice using their tactile, olfactory, and auditory senses. The third stage highlights how the spice can be used as a medium of creative play, transforming the spice as colouring material with different gradients. Through these stages, the sensorial journey constructs the overall local narrative of Indonesian spices, understanding the origin, building the intimacy, and enabling transformation of material. In conclusion, this study contributes to expanding the sensory experience as an approach to design cultural exhibitions, enabling an active and deep experience of locality.
Fulltext View|Download
Keywords: embodied sensorial performance, multi-sensory, material exhibition, cultural locality

Article Metrics:

  1. Atmodiwirjo, P., & Yatmo, Y. A. (2018). Editorial: Interiority as Relations. Interiority, 1(2), Article 2. https://doi.org/10.7454/in.v1i2.40
  2. Atmodiwirjo, P., Johanes, M., Saginatari, D. P., & Yatmo, Y. A. (2018). Ecological aspects of the traditional brick making process in pedurungan kidul, central java. E3S Web of Conferences, 67, 04034. https://doi.org/10.1051/e3sconf/20186704034
  3. Borovica, T., McQuilten, G., Kokanović, R., Hjorth, L., Clarke, A., Maling, C., & Briggs, N. C. (2024). Sensorial Contemporary Arts, Mindfulness and Play for Children’s Post-Pandemic Recovery – Qualitative Evaluation of The Children’s Sensorium. International Journal of Art & Design Education, 43(1), 129–145. https://doi.org/10.1111/jade.12492
  4. Christidou, D., & Diamantopoulou, S. (2017). Seeing and Being Seen: The Multimodality of Museum Spectatorship. Museum and Society, 14(1), 12–32. https://doi.org/10.29311/mas.v14i1.623
  5. Christidou, D., & Pierroux, P. (2019). Art, touch and meaning making: An analysis of multisensory interpretation in the museum. Museum Management and Curatorship, 34(1), 96–115. https://doi.org/10.1080/09647775.2018.151656
  6. Davis, L., & Thys-Şenocak, L. (2017). Heritage and scent: Research and exhibition of Istanbul’s changing smellscapes. International Journal of Heritage Studies : IJHS, 23(8), 723–741. https://doi.org/10.1080/13527258.2017.1317646
  7. Dümen, A. S., Koyaz, M., & Çeliker-Cenger, Y. (2022). Unfolding the material: A proposal of a multi-sensory experience oriented material exhibition medium. Materials & Design, 219, 110740. https://doi.org/10.1016/j.matdes.2022.110740
  8. Ma, Z. (2018). Sensorial Place-Making in Ethnic Minority Areas: The Consumption of Forest Puer Tea in Contemporary China. The Asia Pacific Journal of Anthropology, 19(4), 316–332. https://doi.org/10.1080/14442213.2018.1486453
  9. Merleau-Ponty, M. (1968). The Visible and the Invisible (C. Lefort, Ed.; A. Lingis, Trans.; First Edition). Northwestern University Press
  10. Miller, B. M. (2021). Special issue introduction: Historical and cultural perspectives of food on the fairgrounds. Food, Culture, & Society, 24(2), 174–186. https://doi.org/10.1080/15528014.2021.1877523
  11. Miller, B. M. (2021). Food on display: Design techniques of the food exhibits of the New York World’s Fair of 1939-40. Food, Culture & Society, 24(2), 244–268. https://doi.org/10.1080/15528014.2021.1873035
  12. Pickering, A. (2012). Material Culture and the Dance of Agency (D. Hicks & M. C. Beaudry, Eds.; Vol. 1). Oxford University Press
  13. Purnasasmita, R., Paramita, K., & Atmodiwirjo, P. (2024). Context-Driven Creative Workshop: Celebrating Locality in Disaster-Affected Communities. ASEAN Journal of Community Engagement, 8(1), 93–106. https://doi.org/10.7454/ajce.v8i1.1304
  14. Stevens, L., Maclaran, P., & Brown, S. (2019). An embodied approach to consumer experiences: The Hollister brandscape. European Journal of Marketing, 53(4), 806–828. https://doi.org/10.1108/EJM-09-2017-0558
  15. Tanaka, S. (2015). Intercorporeality as a theory of social cognition. Theory & Psychology, 25(4), 455–472. https://doi.org/10.1177/0959354315583035
  16. Thorburn, M., & Stolz, S. A. (2020). Understanding experience better in educational contexts: The phenomenology of embodied subjectivity. Cambridge Journal of Education, 50(1), 95–105. https://doi.org/10.1080/0305764X.2019.1632798
  17. Schorch, P., Walton, J., Priest, N., & Paradies, Y. (2015). Encountering the ‘Other’: Interpreting Student Experiences of a Multi-Sensory Museum Exhibition. Journal of Intercultural Studies, 36(2), 221–240. https://doi.org/10.1080/07256868.2015.1008432
  18. Suryantini, R., Paramita, K. D., & Yatmo, Y. A. (2019). Investigating the Food-Based Domestic Materiality of Nuaulu People, Seram Island: The Multiple Roles of Sago. Journal of Physics: Conference Series, 1351(1), 012115. https://doi.org/10.1088/1742-6596/1351/1/012115
  19. Vi, C. T., Ablart, D., Gatti, E., Velasco, C., & Obrist, M. (2017). Not just seeing, but also feeling art: Mid-air haptic experiences integrated in a multisensory art exhibition. International Journal of Human-Computer Studies, 108, 1–14. https://doi.org/10.1016/j.ijhcs.2017.06.004
  20. Wahid, A. R., Paramita, K. D., & Yatmo, Y. A. (2021). Inscriptions: Narrating the Spatial Dynamics of the Immaterial Interior. Interiority, 4(1), 43–62. https://doi.org/10.7454/in.v4i1.87
  21. Zoh, M. (2023). Shifting Paradigms of Museum Displays in the West and Its Application in South Korea: The National Museum of Korea’s Special Exhibition on Homo Sapiens: Evolution, Relationship & Future? Journal of Conservation & Museum Studies, 21(1), 2–2. https://doi.org/10.5334/jcms.225

Last update:

No citation recorded.

Last update:

No citation recorded.