skip to main content

Gagasan Creative Commons License sebagai Instrumen Perlindungan Hak Kekayaan Intelektual Pekerja Ekonomi Kreatif di Bidang Desain Grafis

*Eltirta Muhammad Arief Tirtayasa  -  Fakultas Hukum, Universitas Diponegoro, Indonesia
Aditya Yuli Sulistyawan  -  Fakultas Hukum, Universitas Diponegoro, Indonesia
Muh. Afif Mahfud  -  Fakultas Hukum, Universitas Diponegoro, Indonesia

Citation Format:
Abstract

Objective: This research aims to explore the implementation of copyright registration for creative economy workers in the field of graphic design and explain the concept of the Creative Commons License.

Methodology/Approach/Design: This study adopts an empirical non-doctrinal approach, utilizing primary data and legal materials. The data was collected through interviews and analyzed qualitatively using the interactive model proposed by Miles and Huberman.

Results and Discussion: The study found that copyright registration for creative economy workers in graphic design is not yet effective. This is due to the lack of awareness among graphic design workers regarding the benefits and mechanisms of copyright registration, as well as the absence of professional ethics within the graphic design community. Furthermore, the Creative Commons License emerges as a digital licensing solution that simplifies the understanding of legal protection for graphic designers' works.

Practical Implications: This research has practical implications for raising legal awareness among graphic designers to maximize the copyright registration mechanism, as well as for the government to improve its services in this area. This is based on the goal of maximizing legal protection for design works.

Novelty/Value: This research contributes to evaluating and proposing the Creative Commons License as part of an intellectual property protection instrument in the field of graphic design.

Fulltext View|Download

Article Metrics:

  1. Dewojati, R. K. W. (2015). Desain Grafis Sebagai Media Ungkap Periklanan. Imaji, 7(2), 1006–1009. https://doi.org/10.21831/imaji.v7i2.6633
  2. Disemadi, H. S., & Romadona, H. G. (2021). Kajian Hukum Hak Pencipta Terhadap Desain Grafis Gratis Yang Dipergunakan Kedalam Produk Penjualan Di Indonesia. Jurnal Meta-Yuridis, 4(2), 45–66. https://doi.org/10.26877/m-y.v4i2.8167
  3. Lee, D. (2012). Precarious creativity: Changing attitudes towards craft and creativity in the British independent television production sector. Creative Industries Journal, 4(2), 155–170. https://doi.org/10.1386/cij.4.2.155_1
  4. Lessig, L. (2003). The Creative Commons. Florida Law Review, 55(3), 299–325
  5. Mirza, I. M. M. (2022). Efektifitas Implementasi Tipografi dalam Desain Grafis Berdasarkan Perspektif Hak Kekayaan Intelektual (HAKI) di Indonesia. Visualideas, 2(2), 70–75. https://doi.org/10.33197/visualideas.vol2.iss2.2022.908
  6. Rahardja, U. (2022). Social Media Analysis as a Marketing Strategy in Online Marketing Business. Startupreneur Business Digital (SABDA Journal), 1(2), 176–182. https://doi.org/10.34306/sabda.v1i2.120
  7. Schifferstein, H. N. J., Lemke, M., & de Boer, A. (2022). An exploratory study using graphic design to communicate consumer benefits on food packaging. Food Quality and Preference, 97, 104458. https://doi.org/https://doi.org/10.1016/j.foodqual.2021.104458
  8. Simatupang, K. M. (2021). Tinjauan Yuridis Perlindungan Hak Cipta dalam Ranah Digital. Jurnal Ilmiah Kebijakan Hukum, 15(1), 67. https://doi.org/10.30641/kebijakan.2021.v15.67-80
  9. Syahrum, M. (2022). Keberadaan Dewan Pengawas Komisi Pemberantasan Korupsi Pasca Revisi UU KPK. Jurnal Kajian Pembaruan Hukum, 2(1), 85. https://doi.org/10.19184/jkph.v2i1.27842

Last update:

No citation recorded.

Last update:

No citation recorded.