- Adisasmito,N. D. (2008). “Karakter Visual dan Gaya Ilustrasi Naskah Lama di Jawa Periode 1800-1920” in Jurnal Visual Art & Design ITB, Vol. 2, No. 1, 2008, 54-71
- Bagong Kussudiardjo. (1992). Jejak dan pengakuan Bagong Kussudiardja. Yogyakarta: Padepokan Press
- Cooper, N. I. (2000). Singing and Silences: Transformations of Power through Javanese Seduction Scenarios. Jurnal American Ethnologist 27 (3 )August
- De Loos, J. T. (1967). “De Gouden Koets van de Sultan. Bijdragen tot de Taal-, Land- en Volkenkunde 123 (3): 366-372
- Dewan Kesenian Propinsi DIY. (1981). Mengenal Tari Klasik Gaya Yogyakarta. Dewan Kesenian Prop- DIY, Proyek Pengembangan Kesenian DIY, Department Pendidikan dan Kebudayaan
- Dijk, H. (2007). De Oostenwind Waait naar het Westen: Indische Componisten, Indische Composities, 1898-1945. Leiden: KITLV Press
- Easthorpe, A. (2004). Englishness and National Culture. London: Routledge
- Hadiwidjana. (1922). “De Javaansche Zang Onder De Regelen Van De Westersche Muziek-Techniek.” Djawa: Tijdschrift van het Java-instituut 2 (2)
- Harnoko D., et.al. (2014). Rumah Kebangsaan : Dalem Jayadipuran Periode 1900 - 2014. Yogyakarta: BPNB Yogyakarta
- http://collectie.wereldculturen.nl, accesed at 28th September 2017, 8.00 PM
- Kunst, J. (2013). Music in Java: Its History, Its Theory and Its Technique (Reprinted). London: Springer
- Kuntowijoyo. (1995). Pengantar Ilmu Sejarah. Yogyakarta : Yayasan Bentang Budaya
- Kutoyo S.(1997). Sejarah Daerah Daerah Istimewa Yogyakarta. Jakarta: Direktorat Jenderal Kebudayaan
- Legêne, S., and Bambang Purwanto, Henk S. Nordholt (2015). Sites, Bodies and Stories: Imagining Indonesian History. Singapura: NUS Press
- Mc Phee, C. (2015). A House In Bali. N/A: Pickle Partners Publishing
- Moeljono. (1989). R.W.Y. Larassumbogo: Karya dan Pengabdiannya. Jakarta: Departemen Pendidikan dan Kebudayaan, Direktorat Sejarah dan Nilai Tradisional
- Sudarsono. (1984). Wayang wong: the state ritual dance drama in the Court of Yogyakarta. Yogyakarta: Gadjah Mada University Press
- Sumarsam. (1995). Gamelan: Cultural Interaction and Musical Development in Central Java. Chicago: University of Chicago Press
- Surtihadi, R. M. (2014). “Instrumen Musik Barat dan Gamelan Jawa dalam Iringan Tari Keraton Yogyakarta.” Journal of Urban Society's Arts 1 (1) April
- Tashadi, et.al. (1993). Refleksi Nilai-Nilai Budaya Jawa: Suatu Kajian Terhadap Serat Sakeber. Yogyakarta: Direktorat Jenderal Kebudayaan
- The Knickerbocker: The Magazine of the Low Countries (1944) Atlantic observer
- “De Dalang Cursus.” De Sumatra post, 10 August 1925
- “Het verleden der Javaansche Muziek Javaansche Muziekz.” Bataviaasch Nieuwsblad 20 December 1920
- “Musicol Studies.” Soerabaijasch Handelsblad, 8 May 1931
- “Terug naar het Gebergte.” Het nieuws van den dag voor Nederlandsch-Indië, 11 August 1935
- “Uit Djokja: Toeristen bezoek.” De Indische courant 24 March 1930
Last update:
No citation recorded.
Last update:
No citation recorded.
Authors whose articles are published in IHiS (Indonesian Historical Studies) retain the copyright to their work and grant the journal the right of first publication. The work is simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. By submitting a manuscript to IHiS, the author(s) agree to this policy. No separate documentation is required.
The author(s) guarantee that:
- The article is original and written by the listed author(s),
- It has not been previously published,
- It does not contain statements that violate any laws, and
- It does not infringe upon the rights of others.
- The work is subject to copyright held exclusively by the author(s), is free of third-party rights, and all necessary written permissions to quote from other sources have been obtained.
The author(s) retain the following rights to the published work, including but not limited to:
- Copyright and other proprietary rights related to the article, such as patents,
- The right to use the substance of the article in their own future work, including lectures and books,
- The right to reproduce the article for personal purposes,
- The right to archive all versions of the article in any repository, and
- The right to enter into separate, additional contractual arrangements for the non-exclusive distribution of the published version of the article (e.g., posting it to institutional repositories or including it in a book), provided that its initial publication in IHiS is acknowledged.
If the article is co-authored, the submitting author confirms that all co-authors have agreed to the copyright and licensing terms and have been informed of this policy. IHiS is not responsible for any internal disputes between authors. All communication will be directed solely to the corresponding author.
Authors should also be aware that once published, their articles, and any accompanying files, such as datasets or analytical/computational materials, will be publicly accessible. These materials will be governed by the same Creative Commons Attribution-ShareAlike 4.0 International License.
IHiS allows users to copy, distribute, display, and perform the work under this license. Users must credit the author(s) and IHiS when distributing the work through journals or other publication media. Unless otherwise specified, the author(s) are considered public entities upon publication of the article.