skip to main content

Karandu (Gong): History, Functions, and Symbols in the Life of the Tolaki People in 17th -20th Century Southeast Sulawesi

*Akhmad Marhadi  -  Department of Anthropology , Universitas Halu Oleo, Indonesia
Syahrun Syahrun orcid  -  Department of Archeology , Universitas Halu Oleo, Indonesia
Basrin Melamba  -  Study Program of History, Faculty of Humanities, Universitas Halu Oleo, Indonesia
Marwati Marwati  -  Study Program of Indonesian Language Education, Faculty of Teacher Training and Education, Universitas Halu Oleo, Indonesia
Hayari Hayari  -  Study Program of History Education, Faculty of Teacher Training and Education, Universitas Halu Oleo, Indonesia

Citation Format:
Abstract
By applying the historical method, this study aims to explain the history of the development of the gong (karandu) in Southeast Sulawesi and how the gong changes its function and symbol. The karandu entry into Tolaki estimated about the 13th century AD, originated from Java (Majapahit) and then experienced development during the Wolio kingdom. Furthermore, the acquisition of karandu occurred between the 16th and 20th centuries from outside traders as well as through shipping and trade with the natives. Gongs at that time were used as royal and confidential treasures of high value, art, ceremonies, social status, and many more. The gong evolved to communicate in particular situations, such as codes or signs of danger, meetings, grief, etc. The function of adat as a customary object in the moruhu owukumooli anakia custom (buying nobility). The traditional object in marriage was called tawa-tawa sara (traditional gong), then replaced with money (nililimanilungga). The religious function was used when the Mokoweadeath ceremony was beaten when death occurs until the body was delivered to the cemetery. This function remained limited to the descendants of the nobility, the rich, or those with positions. In the past, gongs had an economic role with high prices and values as a criterion of prosperity. Several symbols were contained in the gong: social status, classic, unity, religious, and communication. Nowadays, they are no longer considered valuable objects.
Fulltext View|Download
Keywords: Gong; Continuity Changes; Function; Symbol and Tolaki

Article Metrics:

  1. Al Ashur, A. (2003). Hukum Adat Perkawinan Tolaki. Pemda Konawe
  2. Awad, F. B., & Shaleh, M. (2018, July). Integrating counseling values in marriage ritual of Tolakinese Culture Society in Indonesia. In IOP Conference Series: Earth and Environmental Science (Vol. 175, No. 1, p. 012175). IOP Publishing. https://doi.org/10.1088/1755-1315/175/1/012175
  3. Baden, P. J. M. (1925). Rapport betreffende het vormen hadatgemenschappen in onderafdeeling Kolaka
  4. Djaruju, & Sirajudin, L. O. (1990). Seni Kerajinan dan Prospeknya (Kasus Seni Kerajinan di Kecamatan Betoambari Kabupaten Daerah Tingkat II Buton. Jurnal Haluoleo Majalah Ilmiah Universita, 7, 121–139
  5. Garraghan, G. J. (1957). A Guide to Historical Method. Fordham University Press
  6. Jong, C. D. (2010). Nieuwe Meesters, Nieuwe Goden: Geschiedenis van de Tolaki en Tomoronene, Twee Volkeren in Zuidoost Celebes (Indonesie) van Prehistorische tijden tot ca. 1950. Lambert Academic Publishing
  7. Kojaing, K. (2017). Makna Spiritual Musik Gong Waning dalam Ritual Adat Kematian Masyarakat Hewokloang Kabupaten Sikka Flores NTT. Institut Seni Indonesia Yogyakarta
  8. Mekuo, D., & Proyek Penelitian dan Pencatatan Kebudayaan Daerah. (1979). Ensiklopedi Musik dan Tari Daerah Sulawesi Tenggara. Proyek Penelitian dan Pencatatan Kebudayaan Daerah Sulawesi Tenggara
  9. Melamba, B. et al. (2016). Khazanah Budaya Tolaki. Pustaka Larasan
  10. Melamba, B., Syukur, L. O., & Nggawu, L. O. (2015). The Lulo Dance from Traditional to Muri Record: Historical Analysis of Tolakinese Culture in Southeast Sulawesi Indonesia. Tawarikh Journal International, 7(1): 87-98. https://doi.org/10.2121/tawarikh.v7i1.625
  11. Pingak, CH. (1978). Mekongga (Aneka Ragam Kebudayaan Kabupaten Kolaka). Stensilan
  12. Santosa, H., & Bandem, I. M. (2002). Gamelan Gong Beri di Renon: Sebuah kajian historis dan musikologis. Universitas Gadjah Mada
  13. Su’ud, Muslimin. (2010). Aneka Ragam Budaya Tolaki. Multi Kreasi Satu Delapan
  14. Sulaiman, A. R. (1990). Ragam Hias Sulawesi Tenggara: Suatu studi pada museum Sulawesi Tenggara
  15. Suud, M. (2006). Osara; Hukum adat Tolaki. Kendari LPPSKT
  16. Syahrun, S., & Melamba, B. (2022). Changes in Tolaki People Burial in Southeast Sulawesi: From Boat-Shaped Grave Coffin (Soronga) to Boat-Shaped Islamic Tomb (Koburu Bangga). Jurnal Sejarah Citra Lekha, 7(1): 1-12. https://doi.org/10.14710/jscl.v7i1.45319
  17. Tarimana, A. (1993). Seri Etnografi: Kebudayaan Tolaki. Balai Pustaka
  18. Vonk, H. W. (1928). Memorie van het landschap Laiwoei’

Last update:

No citation recorded.

Last update:

No citation recorded.